The Word for Write is Open
Ursula Le Guin’s anthropological SF has been a big inspiration for me. Her novel The Left Hand of Darkness is basically a fictional ethnography; without it, the world of Ari Ascher in my as-yet unpublished story would not exist. As I progress through various avenues of approach in writing SF, I find myself knocking often at the door of anthropology. The other doors I have moved through thus far are: the door of cognitive plasticity, the door of psychological manifestation, the door of literalization, the door of strange gifts, and the door of doctors of artifacts not limited to the human.
Here are some things Le Guin has said that I like quite a bit. Her introduction to LHoD, in the paperback edition, should be on everyone’s list of essential essays about SF.
“I am struck by how much we talk about rebirthing but never about rebearing. The word itself is unfamiliar to most people. Yet both women and men are capable of rebearing, women literally and men metaphorically. A door opens just by changing the name. We don’t have to be reborn; we can rebear. This is part of the writer’s job, either to rebear the metaphors or refuse to use them.”
“What I was doing there is playing with the idea of our present growth technology from the Industrial Revolution on through the present the last 200 years. We don’t know when this period will end, but it
will. We tend to think of our present historic era as representing the highest evolution of human society. We’re convinced that our exploitive, fast-growing technology is the only possible reality. In Always Coming Home, I put people who believe this into one little capsule where the Kesh could look at them as weird aberrations. It was the most disrespectful thing I could do, like wrapping a turd in cellophane.”
(Above quotes are from this interview.)
“As for the charge of escapism, what does “escape” mean? Escape from real life, responsibility, order, duty, piety, is what the charge implies. But nobody, except the most criminally irresponsible or pitifully incompetent, escapes to jail. The direction of escape is toward freedom. So what is “escapism” an accusation of?”
(from her blog, speaking of fantasy)
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.